JJ: Affordable Housing (Mumbai)

Mumbai Contra-CT: 
Techniques and Tactics of Local Affordable Housing Production

Curated by URBZ/Urbanology @ Sir JJ College of Architecture, Mumbai


Seminar & Fieldwork: Dec 5th 2011 to Jan 22nd, 2012
urbz.net/JJAH/seminar

Workshop: Jan 23rd, 24th, 25th, 2012
urbz.net/JJAH/workshop

Conference & Exhibition: March 30th, 31st, 2012
urbz.net/JJAH/conference


Affordable housing is seen as both, a high social priority by the government and NGOs as well as an unprecedented financial opportunity by developers. The result is the large-scale production of low-cost housing blocks which quickly turn into vertical slums. In the meanwhile, local contractors and end-users are building far more numerous housing units of better quality at lower prices in Mumbai’s many unplanned settlements. Often dismissed as slums, locally developed neighbourhoods produce a powerful counter-narrative to the mass production of low-cost housing. This program brings together architects, engineers, contractors and end-users to explore this dynamic sector and innovate in the field of affordable housing.

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“Dharavi Inc.” in Motherland Magazine

Nice article on Dharavi in Motherland featuring an interview of Rahul & Matias of URBZ.

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Ahmedabad’s affordable futures

We spent most of last week in Ahmedabad, the dynamic capital of Gujarat, which is developing just as fast as any other major Indian city today. In spite of the wide availability of land, real estate prices are shooting up in most parts due to the speculative bubble that is currently affecting India and boosting its economy.

Alexis de Ducla, a 28 year old affordable housing enthusiast who currently heads a special research project at Lafarge, a large cement company invited us to meet Bijal Bhatt, who heads the Mahila Housing Trust (MHT) –the housing and planning wing of SEWA (Self-Employed Women’s Association). MHT wants to start producing affordable housing for its members. This is a first for the organization, which has been focusing mostly on slum upgrading and advocacy till now. They have asked us offer recommendations that could help them achieve their objectives.

We visited a few social entrepreneurs and developers in Ahmedabad, including the up and coming DBS (Affordable Housing Strategy), a start up that is currently developing a 1400 flat housing project in south-east Ahmedabad. Flats are 22 sq.m to 62 sq.m and sell from INR 3.29 lakhs to 8.25 lakhs ($7,400 to $18,400), which is well below the market rate. For this project they have collaborated with SAATH an non-profit organization who’s goal is to create inclusive cities.

We interacted with people involved in various parts of the affordable housing production chain, including end users. The buyers we met were all looking forward to moving to a new house and neighbourhood, which would give them with better social status. A few of them mentioned that they were doing it for the children who were growing up and needed a better environment.


Affordable housing construction site in south-east Ahmedabad.

Many said that trust in the developer was an important factor in their choice. They started paying for the apartment years before the completion of the project and based their choice on the plans and brochures they were shown. Most wanted a ground floor apartment so they could park their vehicle in front and also open a small shop.

The developers we talked to said that the demand is so strong that it was hard for them to keep a cap on profits. To reserve a flat, buyers first have to deposit money on a bank account and apply for a loan. Rather than the total price of the flat, many affordable housing buyers are looking for loans with smaller EMI (Equated Monthly Installments), of less than INR 10,000 a month, which they feel they can repay, even if that means paying for the flat a few times over.

While some affordable housing developers have a clear social agenda, it is not so easy to help the poorest entirely through market mechanisms. The cap on profits, even at 20% or 10% doesn’t guarantee the fulfillment of the social objective. In some cases it simply amounts to sharing the profit with the buyer. That’s seems like a good thing for the buyer, but it could also drag the market price down artificially, forcing other builders to lower construction cost (and compromise even more on quality) to retain their existing profit margins.

Moreover, buyers of affordable housing are not always those for whom the product is intended. A builder reported that Gujarati friends from Canada and the US wanted to buy 100 affordable flats as an investment. Even with a strict screening of the buyers and provisions forbidding them from selling for 5 to 10 years, many flats end up being sold anyways. A lot of the housing market in India is underground and unaudited. It is the biggest money making and money laundering system in the country.

If affordable housing is so fashionable these days, it is not so much because it serves the needs of millions of poor people. It is rather because the market for middle-class and upper-middle housing is quickly saturating and overheating. Tens of thousands of upper-end flats are going unsold in Ahmedabad and Mumbai. Tens, maybe hundreds of thousands more are empty, owned by distant investors who have no intention of renting it to anybody. Many investors prefer to buy (or better build) and sell fast, before their property deteriorates. Unused flats have a higher exchange value because they are more fluid on the market. Affordable housing is indeed often turning into affordable real estate investment.

The saddest part of the story is the construction of countless cheap buildings all over the country that are not built to last. They quickly deteriorate and become costly to maintain. The developer is out of the building as soon as all the flats are sold and the responsibility for maintenance and repairs falls on all flat owners.

Affordable housing builders are betting on two things: fast turnover and the scaling up of their operation. This is why they are ready to lower their profit margin. But even then we heard buyers complain that the price of the same flat was always changing in response to the demand. This produces a highly unstable and risky market that is disproportionately based on the exchange value of housing, rather than on its use value. The result is a housing stock of extremely poor quality, which cannot really be said to contribute to the betterment of society.

A possible way out of this dangerous dynamic is to re-conceptualize the house as a process, rather than as a product. We have observed in Dharavi and many other habitats that were not planned nor developed by professional real estate developers, that a house is never just a house. It is also a tool for revenue generation, whether it is through renting, production or commercial activity. Moreover a house is never quite finished. It is always improving and being adapted to new needs. This cannot happen in mass housing. A large building can never improve over time.

The economy of construction itself is important. When a resident of Dharavi needs to fix his water pipes, he goes to a local contractor who has knowledge of the water system. If he needs a new roof, he asks a mason from his community, whom he trusts. The money invested stays in the neighbourhood. The proximity with contractors allows the incremental development of entire neighbourhoods. Building an affordable house is a process that combines economic development and finance with construction in such a way that they cannot be dealt with in isolation of each other.

The pot of gold at the bottom of the pyramid certainly lies in a new understanding of how finance and architecture can be combined. This however, will not solve the real problem of so many social entrepreneurs. There will always be a hard line below which the market cannot reach, these are the most needy (and perhaps numerous) people all around the world. Rather than trying to push the market down to impossible levels to try and reach to the poorest while satisfying the social imperative of social entrepreneurship, it may be time to think about value generation from a totally different perspective. And this thinking can only emerge from the ground-up.

More photos of Ahmedabad here.

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Khirkee, New Delhi

November 9-16, 2010

Poster-UT-Delhi-Nov9-16

In partnership with Khoj. With the support of Ford Foundation and the Norwegian Embassy. ‘KHOJ International Artists’ Association’ is an artist led alternative space for experimentation and international exchange based in India. Part of the global Triangle Arts Trust, KHOJ sees its role as an incubator for art and ideas, artistic exchange and dialogue in the visual arts.

khirkee

The Urban Typhoon workshop invites artists, architects, activists and academics from all over the world to ideate with residents, grassroots groups and other users of Khirkee Village, New Delhi. The event aims at reclaiming the locality by collectively generating multiple ideas, visions and plans for its future.

khirkee2During the week-long workshops all kinds of interventions and interactions will take place, stimulating debate, exchange and awareness. The workshop draws its energy and creativity from the involvement of local users, including business owners, housewives, children, teenagers, loiterers and other hoodies. It focuses on local participation and global engagement.

The workshop is documented throughout the week. The participants also produce all kinds of material, which is then uploaded on a user-generated Website. In addition, the output is translated into various installations, exhibitions, essays, festivals, architectural designs, urban plans and site-specific action, during and after the workshop. Its ultimate aim is to inform decision-makers on the aspirations and potential of Khirkee Village.

URBZ, has been conducting similar workshops in various places around the world including Shimokitazawa (Tokyo), Dharavi (Mumbai) and Galata (Istanbul).

The Urban Typhoon Khirkee (New Delhi) workshop is being organized in partnership with Khoj, a globally renowned artists collective based in that very neighbourhood. Khirkee is an ‘urban village’ in a city in fast forward mode, which may need to creatively reinvent itself if it is to preserve its identity in an increasingly alienating global context.

Khoj has operated from there for more than a decade and has initiated several projects, where artists have become urban practitioners projecting visions and revealing choices that formal actors may have overlooked.  In this partnership between Khoj and URBZ, we hope to organize an event that has a special significance to the world of urban engagement in which artists have a special role to play.

Participant Requirements:

The Urban Typhoon workshop is multicultural, multidisciplinary and a multimedia event. Students, urban planners, architects, designers, artists, sociologists, media artists, political activists, and anyone with a high motivation to work in urban spaces and willing to engage local communities for the week long duration of the workshop is welcome to join.

The objective is to produce creative alternatives for the future of a neighborhood threatened by limited official choices and imagination.

Please fill up the registration form, including a 100-word bio-note of yourself and a face-picture.

We will be in regular touch through e-mail after that.

Travel and boarding expenses are to be borne by the participants (so,don’t wait to make travel bookings! We will also make reservations at reasonable rates in local lodges and hotels to facilitate the process).

khirkee3


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Updating Visions of a Gloomy, Gleaming, Exciting Bombay Crowd

“Bombay is a crowd. But I began to feel, when I was some way into the city from the airport that morning, that the crowd on the pavement and the road was very great, and that something unusual might be happening.”

Mumbai sunset

Every new visitor to Bombay, has had a similar observation to that of V. S. Naipaul, as he arrived in the city to write his dark, vibrant, and exciting travelogue, India: A Million Mutinies Now. He was introduced to a city of much warmth; a city of much chaos; a city of many people.

Ever since Naipaul’s experiences were documented between 1988 and 1990, an incredible process of transformation has continued to change the face of Bombay; now Mumbai. Many of the neighbourhoods of 1988 have grown into sky-scraping districts, embracing global connections and international faces. The faces of Naipaul’s “crowds” themselves have changed in so many ways, experiencing warm embrace, violent clash, and boisterous development. Some have become wealthy, while others have remained poor.

As urbanists continue to stretch and scrunch the literary fabric of today’s Mumbai, it is important to make reference to these wonderful works of the past. They remind us that documentations must be made of the city’s most cherished and personal vessels; its people.

Mumbai, “is a crowd”. But what do we see in the crowds of today?

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