urbz founders Rahul Srivastava and Matias Echanove reflect on community-driven placemaking in the Indian metropolis.

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The Handstorm workshop in Dharavi, with the Engineers for Social Impact from NYU, Abu Dhabi took place for the second time this year in October, 2025. We walked through the lanes of Dharavi Koliwada, observing Water in the diverse and unexpected paths that it took to and from people’s homes. Students diligently followed the water, listening carefully to the stories it had to tell.

Every kaccha house transforming into a pukka house is a story worth telling – one which is extremely significant to residents and the development of the city at large.

Local newspapers doubled, tripled and eventually quadrupled with classifieds about the shiny, affordable, chic new buildings with swimming pools coming up in every empty corner.

A global trend may be more fantasy than substance. (The Hindu 17/02/2018)

Dharavi has been an interesting setting for many Mumbai based films. This article discusses a few films from the past decades that feature Dharavi as a place central to their narratives.

Inviting contractors from all over Mumbai to collaborate on designs for homes in Dharavi with residents, architects, and artisans.

In a global context, populations marginalized because of race, class, gender, creed, etc. are those most incessantly stripped of this right to design the city in their own image within formalized constraints. In this way, the “informal” urban process of self-construction is inherently a product of this same marginality that excludes these groups from “formalized” city-making.

Dharavi’s massive redevelopment project aims to turn it into a ‘world-class’ neighborhood, but this vision risks erasing its unique identity and thriving homegrown economy. Instead of replacing it with glass towers and luxury spaces, Dharavi could be a model for a ‘world-grown city’—one that values its community-driven development while staying connected to the global economy.